Daria Irincheeva, Upon a Time, detail Photographs, stucco, size variable Image courtesy of the artist |
Daria Irincheeva, Not Yet/Already Over Egg carton, cement, empty eggs, wood Image courtesy of the artist |
In another piece that could be perceived as an endless attempt to bury oneself (or head) in the sand, is a projected video featuring the unclothed body of the artist, writhing in a counter-clockwise rotation on a sun drenched beach. The motion repeats as if in a struggle to go somewhere without breaking a pattern. An exhausting effort is put forth as flesh is marked with fine grains of sand. It's a strong piece in the early stage of a career. At the center of the exhibition is the artist herself, fragile yet assured in her journey even if at times unstable. Not unlike the delicate egg shells used in Not Yet/Already Over (egg carton, cement, empty eggs and wood) a sculptural work, there is a fine balance that will only become more harmonious with age and practice. In Semiprecious/Semifake, crystals align a shelf on a far wall, stones that have been decorated with glitter, reminders of yearning for a spiritual equilibrium and power to heal. The artist states that this work in particular corresponds to Russian ideology after the collapse of the Soviet Union, "..when capitalism roughly crashed on failed socialism". In a chronicle of time and spatial experience, the artist reveals metaphysical longing as prescribed in nostalgic resonance. It's youthful transference in an album with room for many more pages yet to be filled and ripe with history from a distant and recent past.
Daria Irincheeva Avoid this Water, is on view at Reverse Space in Williamsburg, Brooklyn until December 9th. On Saturday, December 1st the gallery will present a performance by HAIRSHIRT featuring vocals by Ella Joyce Buckley and saxophone by Noah Becker from 7pm-8pm.
*Note: above image, Daria Irincheeva, video still from, Avoid this Water, Image courtesy of the artist
More soon.
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